Posts Tagged ‘news and notes’

Whale Watch Hat, aka Kate’s ode to New England

Tuesday, June 29th, 2010

When Kate was asked by Melissa LaBarre last year to design a hat using Canopy Fingering (two of her most favorite things ever) for her and Cecily Glowik MacDonald’s book, New England Knits, she didn’t hesitate for one second. (And now that the book is on the precipice of coming out — and is AWESOME — she is even more excited to be involved!)

Using New England as inspiration - especially the (ridiculous) uber preppy whale themed summer beachwear of her polo shirt and khaki filled youth  - Kate designed a Fair Isle beret, the Whale Watch Hat, (rav link) in rich blues, sea green + white with whales as the main focus.

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© Interweave Press. Photo by Sadie Dayton

The beret starts with a contrast color cast on and solid ribbing that turns into gradating chevron Fair Isle stripes that simulate the waves on the ocean.

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© Interweave Press. Photo by Sadie Dayton

Then, in a certifiable whale-explosion, there are three stripes of the aquatic mammals, with the third proudly spouting water at the top.

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The beret is finished with a repeat of the waves at the top and symmetrical decreases.

Sizes 18″ brim circumference, un-stretched, 10.25″ diameter at widest point

Yarn The Fibre Company Canopy Fingering (50% baby alpaca, 30% merino, 20% viscose from bamboo; 200 yd/50 g): orchid (white), macaw (navy), blue quandons (bright blue), fern (mint green), 1 skein each.

Gauge 28 stitches and 32 rows = 4 inches in whale pattern on larger needles

Tools
• Size 0 (2.0 mm) needles
• Size 2 (2.75 mm) needles
• Markers (m)

Ravel It!

Be sure to check out the many other fabulous patterns included in the book, including the gorgeous Mystic Pullover designed in Organik by Melissa LaBarre!

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Next up, an interview with the lovely ladies of New England Knits - and a surprise you will NOT want to miss!

Knitscene Fall 2010 - the final project!

Monday, June 28th, 2010

And as promised, the final project we are delighted to share with you from the Fall 2010 issue of Knitscene!

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Who Me? Cardigan. Photograph by Joe Coca © Knitscene

Courtney’s design, which features a longer body length, pockets, all over wide ribbing and a sailor-style collar, was inspired by a cardigan she found in a thrift store years ago. Knit out of acrylic, the thrifted cardigan was long lasting, wearable and functional, but…well..made of plastic.

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Who Me? Cardigan. Photograph by Joe Coca © Knitscene

Courtney knew that taking the aforementioned elements that made the original thrift store find a flattering, warm and wearable sweater and updating the cut a little to feature set in sleeves and using a natural yarn in lieu of the (not so nice) acrylic — in this case the gorgeous Terra — would create a cardigan she (and hopefully you!) would turn to time and time again.

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Who Me? Cardigan. Photograph by Joe Coca © Knitscene

The beautiful tweed flecks of Terra are really apparent in the Beet - a rich purpley-red with subtle pink an deep maroon high and low-lights.  It was definitely hard to see this one go when we sent it to the magazine!  Since then, Courtney has been planning a 2nd version in Henna, while Kate is trying to step outside her color comfort zone a little bit and dreams of knitting herself one in Logwood Purple.

Sizes 30 (37, 44, 51, 58)” bust circumference; shown in size 30″
Yarn The Fibre Company Terra (40% alpaca, 40% merino, 20% silk; 98 yd [91 m]/50 g): beet, 11 (13, 15, 17, 19) skeins
Gauge 18 sts and 24 rows = 4″ in 4×4 rib on larger needles
Tools
• Size 7 (4.5 mm) needles
• Size 8 (5 mm) needles
• Markers (m)
• Stitch holders
• Yarn needle
• 11 (11, 12, 12, 13) ¾” buttons

Ravel It!

And that’s it! We hope you enjoyed this little multi-part feature on the latest issue of Knitscene!

Fall Cardigan Collection Preview

Friday, June 4th, 2010

For your viewing pleasure, and in an effort to continue the cardigan theme from the last post, we thought we would share with you images from our second for sale pattern collection.  We’re shooting for an end of July ‘availability’ date and they will be wholesaled to shops + for sale on the site in the same manner as our first collection of Hats.

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This collection came about almost by accident.  As you very well know, we recently did a book with Interweave Press due out in the beginning of 2011.  Before we crazily knit the 20 garments and accessories for the book, we were both working on a few different sweaters for ourselves and future publication through Kelbourne.  Once the book knitting was finished, we re-opened the project bags that contained the long-forgotten sweaters and realized we subconsciously had a blue cardigan theme in the works.  The rest, as they say, is history!

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As with the hat collection, it was important to us to cover a broad range of styles and techniques in order best show off the different yarn qualities and garment possibilities while still sticking to our (hopefully unique) aesthetic.  This collection is (oh-so-creatively) named Collection 2: Cardigans and features lace, textured stitch patterns, Fair Isle and even a little bit of crochet.  Our goal was to make vintage inspired sweaters with small details that were not only interesting to knit, but also produced wearable garments.

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The photo shoot for this one was especially fun.  Kate’s mother in law, Lynn is a talented architect and photographer so we knew immediately when planning the shoot that we would love to have her do the photography for us.  Conveniently, one of the designers featured in this collection, Jenny Ujiie lived near Lynn as did another beautiful friend of Kate’s, Kate Magner Kuhn, and they were wrangled (umm…coerced slightly) into being our models.  (Sidenote, if you need an excellent web designer, Kate’s husband Noah is incredibly talented and easy to work with. He, sadly, didn’t do the Kelbourne site for us, but we wish he did!)

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The photo shoot was done in Brookline, Massachusetts right as the magnolias were in bloom.  We were so lucky to have perfect weather and beautiful locations at our disposal, and are very happy with how the shoot turned out!  For the names of the cardigans, we wanted to pay homage to the beautiful area where the photo shoot occurred, so each is named after a street (or in the case of Olmsted, a person) in Brookline.

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.   .   .   .   .   .   .   .   .   .   .   .   .   .   .   .   .   .   .   .   .   .   .   .   .   .   .   .   .   .   .

Full shots of the sweaters and specific details below!

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Perrin: An a-line cardigan featuring Terra in Yarrow.  Designed by Courtney with a structured look and soft feel in mind.  Three quarter bell sleeves, a wide neckline and tailored armholes complete the look.

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Emerson: A shawl collar cardigan featuring Organik in Atoll + Arctic Tundra.  Designed by Kate, with a slightly longer body length and inspired by plaid wovens.  Fair Isle fronts, set-in sleeves and waist shaping on the back complete the look.

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Olmsted: An all over lace patterned cardigan designed by Jenny Ujiie featuring Canopy Worsted in Palm Bud + Canopy fingering in Orchid.  Knit in pieces then joined for a seamless raglan yoke.  Quirky crocheted flowers complete the look.

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Hawthorn: A delicate garter yoke cardigan featuring Road to China Light in Aquamarine.  Designed with simple shaping and a playful puffed sleeve cuff.  Vintage buttons complete the look.

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Winthrop: An open cardigan featuring Road to China Worsted in Lapis knit in pieces then joined for a seamless yoke.  Slipped stitch details at the cuffs and yoke and an i-cord edge complete the look.

(All photograhps by + © Lynn Osborn.)

New Free Pattern! Poplar Cowl

Thursday, March 25th, 2010

We are delighted to be offering a new free pattern for you, the Poplar Cowl!  Our free pattern selection in Organik was looking pretty sad, so we are doubly excited to be adding this one to the Kelbourne Woolens collection.  The Poplar Cowl, is - you guessed it! - a cowl knit using a knit and purl pattern that creates a firm and textural fabric with a unique color transition due to the knit and purl stitches.  The smooth texture of Organik is perfect for a stitch pattern of this kind.

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Modeled by the beautiful Nina!

The Poplar Cowl is made from three skeins of Organik and is designed to use all of (or as much of!) each skein.  There are sixteen beautiful colors in the Organik palette, so the color possibilities are endless!

If a cowl isn’t your thing, how about the Kiva Hattu?  It is a part of our new wholesale pattern collection!

Ravel It!

Haitian Relief Auction - a joint auction with Kristen Rengren

Thursday, January 21st, 2010

Like all of you, we were devastated to hear of the tragic earthquake in Haiti last week.  Many knitters immediately joined a fund-raising effort in order to support the aid to this country and it has been wonderful to see and hear of the tens of thousands of dollars that have been donated so far.  Even when listening to the news this morning, it is obvious that there is a long long way to go, and most are still suffering in need of basic medical care, food and fresh water, highlighting the need for continued support, financial and otherwise, to this country.

As a result, when Kristen Rengren, author of the inimitable book, Vintage Baby Knits, and someone we admire greatly for her wit, talent and seemingly endless energy, contacted us about doing a joint auction to raise funds that would go directly to supporting the relief effort, we were immediately on board.

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(Photograph Courtesy of Kristen Rengren)

The auction is for a custom-fit pattern tailored specifically for you of the beautiful Harlow Sweater (ravelry link), and enough Road to China Light to knit one in one of the 7 color choices shown below. Harlow is a sweater that looks wonderful on all body types, and the addition of the custom sizing just for you, makes this a really amazing prize.

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And the kicker?  Kristen will throw in a signed copy of Vintage Baby Knits as well — an added bonus worth its own auction!

The rules and auction itself can be found here, via the group forum and occurs tonight — yes! tonight! — from 7 - 10 pm EST.

We hope that you’re as excited about this auction as we were happy to participate.

Spotlight on: Canopy Worsted

Monday, November 30th, 2009

We’re continuing with our Canopy theme this week with a spotlight on Canopy Worsted, the (aptly named) worsted weight cousin to Canopy Fingering.

Many of the same properties apply when talking about the Worsted and Fingering — it is the same wonderful blend of 50% Baby Alpaca, 30% Merino and 20% Bamboo. It has a smooth texture and is a 3 ply yarn with a medium-twist which provides great stitch definition as well as strength and sheen so the yarn holds up well and does not pill easily.  Canopy Worsted was first introduced in the 10 original “springy”colors, and this June we added another 10 colors to the line to create what we feel is a really beautiful and well-rounded palette.

Canopy Worsted is a little bit lighter in weight than Terra, Road to China Worsted and Organik.  When knitting sweaters — and we think Canopy Worsted is a perfect sweater yarn! — or an item where we want good definition and structure we like to knit it at a gauge between 20-22 sts/4 inches.  If we’re doing something where we want drape — a scarf or cowl, for instance, we loosen it up a bit and sometimes even knit it as loose as 16 sts/4″.  Canopy Worsted is an incredibly versatile yarn gauge-wise — but ultimately it is up to you to find the drape and knitted fabric you like best!

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Like all of the Fibre Company Yarns — especially, as you can well imagine, Canopy Fingering — Canopy Worsted has a decent alpaca content, which, as we have said before, adds a ton of softness, drape and warmth.  The merino adds warmth and softness as well, but also has a little more “memory”, so depending on the application, the final fabric can have a lot of structure.  The bamboo, unique to the Canopy lines, ads a wonderful sheen and drape to the yarn, and produces a unique subtle heathery dye effect due to the application and type of dyes used.

One pattern that shows off the versatility of Canopy Worsted is the newly published and popular 5th Avenue Scarf (ravel it!) by Margaux Pena (aka tentenknits).  We have always been a big fan of Margaux, and love seeing her and Patricia of Patricia’s Yarns, in person at TNNA and the Sheep & Wool Festivals and were doubly excited when Margaux showed us her new scarf at Rhinebeck.

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The 5th Avenue scarf is a perfect accessory for fall and winter, as it provides the warmth of a full-size scarf with a multitude of styling options.  We love it both ways, either draped around the neck in a big loop or as shown below wrapped a few times around the neck.  Kate was the passenger in a long drive this past Thanksgiving weekend and is in the middle of some projects that either require a lot of thinking or adjusting charts in excel as she knits, or some other element that makes them not so great for a car ride, so she cast on for her very own 5th Avenue Scarf in Palm Blud, a very light blue.  She is already a few skeins in and totally in love, so hopes to finish by this weekend!

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(Photos courtesy of Margaux Pena)

Another pattern that is a wonderful use of Canopy Worsted is the Give a Hoot mittens designed by our friend, Jocelyn Tunney.  These mittens were one of the first Kelbourne Woolens Free Patterns that we published and we continue to be delighted with their popularity!

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And, as some of you may already know, Courtney is knitting an adult version of her adorable Fiddlehead Pullover as featured recently on the Purl Bee in Canopy Worsted.  We are doing thigs a little differently this time, and she is putting up a little tutorial as she knits based off of the original numbers for the baby version.  The first installment is here (scroll down a bit), and if all goes well she should be posting the next step in a few days!

Spotlight on: Canopy Fingering

Monday, October 26th, 2009

Whew.  Sorry for the radio silence there.

Where were we?  Ah, yes.  Yarn Spotlights.  We have had Canopy Fingering next on the list to feature, and it turns out to be perfect timing!

While we usually are particularly in love with whichever yarn we are knitting with at that moment (and as this is being typed, Kate has a sweater in Canopy Worsted, a sweater in Terra, a hat in Road to China Light and a hat in Organik on the needles, and Courtney has a hat in Canopy Worsted, a sweater in Organik, and just finished a sweater in Road to China Worsted, so you can see there is a lot of love to go around) Canopy Fingering continues to be a constant favorite here at Kelbourne Woolens.  It is a newer yarn in the line, but quickly has become popular with shawl, sock, accessory — and even sweater — knitters alike.

Canopy Fingering is a wonderful blend of 50% Baby Alpaca, 30% Merino and 20% Bamboo. It has a smooth texture and is a 3 ply yarn with a medium-twist which provides great stitch definition.  In its first incarnation, the yarn was called “Canopy Sport” but has a recommended gauge of 32-36 sts/4 inches.  One of the first things we did was re-name the yarn “Fingering”, but didn’t actually change anything about it.  Some of you may come across skeins or have some with the old labels stashed — have no fear, it is the exact same yarn as today and an be worked with the patterns support and new colors!  The combination of the fiber content and construction, even in a finer weight, make Canopy Fingering a really versatile yarn.  We think it works well knit as loosely as 6 sts/inch all the way to a tight 9 sts/inch.

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Like all of the Fibre Company Yarns, Canopy Fingering has a decent alpaca content, which, as we have said before, adds a ton of softness, drape and warmth.  The merino adds warmth and softness as well, but also has a little more “memory”, so depending on the application, the final fabric can have a lot of structure.  The bamboo, unique to the Canopy lines, ads a wonderful sheen and drape to the yarn, and produces a unique subtle heathery dye effect due to the application and type of dyes used.

One pattern that shows off the versatility of Canopy Fingering is Kate’s popular Selbu Modern beret. With its wonderful stitch definition, perfect amount of drape and subtly shaded colors, the beret works up beautifully in two colors.  Because of the stacked Fair Isle pattern, it looks great in a more traditional subtle colorway, shown below, or in a funkier one such as acai and mint.

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Another pattern that is a wonderful use of Canopy Fingering is the Lucille baby sweater and bonnet.  The lace pattern blocks out beautifully and because of its next-to-skin softness, it is perfect for use on the sometimes sensitive skin of new babes, and the subtle colors evoke a wonderfully vintage feel.

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We absolutely love the versatility of Canopy fingering — it was extremely hard picking just two patterns that highlight the properties of this great yarn! Luckily, we didn’t have to, as it is also featured pretty heavily in the new Interweave Knits Holiday Gifts magazine, on newsstands now!

The three patterns in the magazine really beautifully highlight the versatility of Canopy Fingering.  First, the Family of Hats, by Catherine Shields, is actually a set of patterns in three different shapes and color possibilities.  We, to be expected, are partial to the center, ‘beret’ version, but also love the earflaps and longer, slouchy look of the other two!

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The next pattern is the Nuneh Mittens by our very own Courtney!  These mittens utilize the Armenian Knitting technique and produce a wonderfully soft and warm yet light fabric.  The mittens feature a wintery motif of a tree next to a quaint cabin with a smokestack that evolves into falling snowflakes.

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And last but not least, there is a beautiful Herrigbone Kimono by the queen of vintage baby knits, Kristen Rengren.  We love the stitch structure and wrap around construction of this beautiful baby cardigan.  The addition of the red buttons ads just the right amount of whimsy — we cannot wait to see the color and button combinations people come up with!

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As you can see, Canopy Fingering is a great versatile yarn — if you haven’t yet we highly recommend you give it a try!  We know you will fall in love.

An Interview with: Anne Hanson

Friday, October 2nd, 2009

We are happy to interrupt our yarn spotlight postings with an interview with Anne Hanson, the talented and lovely designer!

We meet Anne at our very first TNNA in January and were delighted to be able to put a few skeins of yarn into her hands.  As the time went by and we became busier and busier, every once and a while we would think to ourselves “hmmm, I wonder if Anne liked the yarn?”  Luckily enough, we soon found out not only did she like it, she designed two gorgeous patterns featuring Canopy Fingering and Road to China Light and recently debuted them on her website.

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Dovecote is a triangular shawl designed in two sizes knit out of Canopy Fingering.  The shawl is knit top-down with a sawtooth knit on edging. The large sample modeled by Anne is knit out of Cat’s Claw, a buttery yellow with subtle hits of peach and green, and the smaller out of Macaw, a deep rich blue with hints of purple.  You can read more about her lovely description of the shawl here.

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The Birnum Wood Wrap is a rectangular stole knit in Road to China Light based off of similar motifs and named after Shakespeare’s Birnam Wood.

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It is constructed from either end and grafted in the center.  You can read more about her lovely description of the wrap here.

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(all images from Anne Hanson. Thanks, Anne!)

In conjunction with the release of her patterns, we asked Anne if we could interview her a little bit about her design process.  Read on + Enjoy!

KW: Thanks so much for taking the time to talk about your work with us!  Your shawls are really beautiful and we’re so happy you chose to design them using Fibre Co. yarns.

AH: thank you so much; it was a real compliment to me when, at TNNA you flagged me down to say hello and introduce yourselves; i was completely seduced by the yarns you showed me at the time!

KW: Let’s get back to basics.  You currently have over 150 (!) designs to your name.  When did you start knitting and what led you to become such a prolific designer?

AH: i started knitting as a small child; my grandma taught at around the age of four years. i was attracted to the stitch patterns in the items she knit and wanted to make them myself.

i also began to sew and embroider in the same year and worked at all of those needlecrafts while growing up; during my teens i became interested in creating garments from my own designs. i worked in the fashion business during my 20s and 30s and was encouraged by various designers to “do something with my knitting”. but i was shy and lacked the confidence to really put it out there.

i’ve always had lot of ideas in any creative thing that i took up; more than i can ever work on at one time. inspiration has never been a problem for me. in fact, if anything, my biggest challenge was editing and focusing my thoughts and training myself to turn them into good final designs.

it wasn’t until my mid-30s that i started  seriously designing my own sweaters and shawls and several more years before i actually wrote knitting patterns to sell. even then, i sold them only on a small scale through local yarn stores at first.

then i started blogging and it all came together; readers encouraged me to sell patterns for my designs online and i tried it. one thing led to another and before long, i was selling enough to make it a full-time endeavor, which lead to lots more designs.

KW: We think it is safe to say the bulk of your designs incorporate lace.  What about knitting lace – and more specifically shawls – appeals to you?

AH: funny thing about that; it’s true that the bulk of what the online community has seen of my work is lace. however, i have a deep background designing sweaters and knitting other types of fabrics as well, but i often forget that the general knitting public has not seen as much of that!

i’ve always enjoyed rather lengthy forays into specific types of knitting, working for 6 months or a year with aran patterns, for instance, then doing color work for a while, then working through various techniques or construction problems; sometimes this work manifested itself in garments and sometimes just a series of swatches. i rotated between different types of knitting and back again as my interest dictated.

i like lace because it is so architecturally interesting; it has rhythm and cadence and the patterns allow deeply-relaxed focus for me. but honestly, that is true of any patterned knitting.

i started a “conversation” around lace on my blog with my first shawl design, and have built on that geometrically over the last three years, incorporating all aspects of what affects the results, from needles, to yarn, to fiber, to the garment itself. i think the curiosity of readers has contributed to keeping this particular investigation going for so long.

shawls are a very special type of garment to knit; they have a romantic, narrative quality which is not reliant on the body that fills them. i enjoy “composing” stitches on the canvas of a shawl. they are also structurally interesting to knit; something is always going on to keep the knitter involved, especially in the shaped ones.

i’m making room again now for sweater knitting, which is a real passion of mine; i’ve missed it way too much and i have many designs that i want to publish. i like creating functional, everyday garments as much as shawls; it pleases me to make items that are useful and will receive hard wear on a constant basis. designing functional items that are visually attractive and interesting to look at is very satisfying.

KW: We’re so happy you enjoyed knitting with Canopy Fingering and Road to China Light.  What about the yarns do you think made them great for knitting shawls?

AH: both of these yarns are extremely pleasant to knit with! i just love a yarn that feels delicious as it runs through my fingers and both of these yarns fit the bill. then there is the fabric; i can’t describe in words how soft and luxurious they are knitted up and how much i appreciated having the chance to work with them. these are important qualities in a yarn that you are using for a big project like a shawl; you’ll want to pick it up and work on it every chance you get when the yarn is this lovely.

structurally too, these yarns are perfect for lace and shawls; the fiber content and relaxed twist contribute to fluid stitches and even fabric that blocks and drapes beautifully. the slightly-iridescent shading of differently-colored fibers used in the yarn, accents and highlights the folds of the fabric as it falls or catches the light.

KW: Let’s talk about your design process. For these two designs, did you have a project in mind and then choose our yarns, or did you first swatch and then design a project specific to each yarn’s properties? Do you find that your methods change depending on the project or do you have one way you always work?

AH: having had the opportunity to touch the yarn in person and take a skein home from TNNA, i knew i wanted to make something soft and luscious with it! at first i thought it would be a small, accessory item. i wasn’t necessarily thinking of a shawl design to begin with. later, i came up with a design that i knew would be enhanced by using these yarns.

i would say i have two muses: stitch patterns and yarn.

sometimes yarn inspires me to look for a pattern and sometimes stitch patterns call to me first and i have to find a yarn to go with them.

KW: If the design came first, what made you chose our yarns for each design?

AH: i began putting stitches together for a wrap design in laceweight yarn and realized that the heavier, slightly fuzzy fibre company yarns were even better suited to i had in mind. i wanted yarn that would enhance the “soft” qualities of the stitch patterns. i love how the fuzz of these yarns fills in the holes of the motifs with just a haze of color. conversely, the softness of these yarns take the edge off what are basically hard-edged geometric motifs of lines and diamonds.

i actually have a birnam wood wrap knit up in a laceweight alpaca/silk yarn as well, but i think the motifs translate MUCH better in the fibre company fingering and sport yarns. i like the scale of the motifs in the heavier yarn; they are bolder and have more impact.

KW: If the yarn came first, in what way did the yarn “inform” the designs?  More specifically, what about the fiber content, gauge, drape, or colors helped you in your design process?

AH: though the yarn did not inspire the design necessarily, i DO think i would always search for motifs that play well with the gauge, fiber, and tactile qualities of this yarn to enhance the things i like about it.

KW: You use a lot of hand-dyed yarns in your designs, but seem to stick to subtly shaded colors, or multis that stick to a cohesive palette.   Is it safe to say you prefer these types of yarns over commercially dyed ones?  If so, what about hand-dyed yarn (and specifically, The Fibre Co yarns!) appeal to you and how do you think they contribute to your designs?

AH: yes, i have to say that i’ve become somewhat addicted to hand-dyed yarns, or at least, those from smaller produces. first and foremost, i find there is a huge difference in the quality of the yarn itself from small producers; it’s brighter, bouncier, softer, and more “alive” than 95% of commercial yarn. the overall quality and performance of the yarn is just better.

most small producers are hand-picking their bases and/or having them milled to their own specifications and the quality control really shows in the behavior of the resulting fabric.

hand-dyed yarns are the work of artists; i love the variations between batches and working with the unique hand of the dyer. every dyer has a style and no two handle the process quite the same way. even dyers whose sensibilities i would say are very similar, end up with vastly-different stock.

and i just LOVE having personal contact with the yarn makers; i can’t say enough how these relationships have influenced my work. those of us that have been working together for a while agree, that we have not only reached new levels of artistic expression through collaboration, but have helped each other build viable businesses as well. it’s very exciting!

KW: For each project, you picked pretty disparate colors from the Fibre Co palette.  Do your color choices reflect a particular “mood” you want to get across in your designs?   More specifically, why did you choose the Cat’s Claw (buttery orangey yellow) and Macaw (deep rich blue) for the Dovecote shawl, and the Grey Pearl (mid tone grey) and Ruby (red-orange) for the Birnum wood stole?

AH: well, color choices are probably an area that i am most likely to go with my “gut”, at least at first, then figure out why later on, hahaha! in the case of the cat’s claw, i just fell in love with it when i saw it hanging in your booth and it stuck with me all through the spring as a great color for a soft triangle shawl. once i had a design composed, i chose a stronger second color (the blue) and for the wrap, another neutral (gray) and a bright color (red) pretty much just by instinct. now that they are all knit up i love every one of them; the strong colors really accentuate the myriad patterns of holes, or negative space, in the work.  and the softer, neutral colors highlight the cushy solid areas.

KW: Is there anything else you would like to add?

AH: thank you again so much for inviting me to work with your yarns; it was a wonderful experience to knit with them and bring them to the attention of my readers. i hope we can work together again in the future!

We really loved working with Anne and hope you enjoy her patterns!

Interweave Knits Fall 2009 - Freyja Hat + Sweater

Wednesday, August 12th, 2009

It should be pretty clear at this point that a lot of our design inspiration comes from classic techniques, applications or colors to which we add a quirky or modern twist.  The beautiful Freyja Sweater (bonus photos!) and hat designed by Courtney and featured in this Fall’s Interweave Knits is no exception.

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Photos courtesy of Interweave Knits

Knit in the round using 5 colors of Road to China Light — Riverstone as the main color with Ruby, Citrine, Malachite and Aquamarine as the contrast colors used in the Bohus-inspired yoke, the pullover features a modified raglan and yoke construction, short row shaping at the back neck and waist shaping for a flattering and close fit.  The yarn, an opulent blend of baby alpaca, silk, camel and cashmere, knits up to a wonderfully light, warm and soft sweater that is as much as a treat to knit as it is to wear!

The hat is designed as a wonderful accessory to use up any remaining leftovers of the yarn from the sweater, or as a perfect gift to give this season. It is also a great introduction to the Fair Isle technique utilized in both projects.

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Go grab a copy of the latest Interweave, and have fun choosing your colors!  (Ravel It!)

Hollywood Herringbone Sweater

Friday, July 24th, 2009

Some of you may have found a sneak peek of Kate’s new design for Knitscene Magazine featured in Knitting Daily at the beginning of the month in your inbox.  The full preview for the issue is now up on Knitscene.com, and the magazine is now available in your local yarn shops!

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Photo from Knitscene Fall 2009

The Hollywood Herringbone uses The Fibre Company’s Organik yarn in Loam (main color) and Arctic Tundra (contrast color).  It features a mosaic slip stitch front, with shaped stockinette back and sleeves and a cute buttoned shoulder detail with contrasting buttons.  Kate originally knit the prototype for this sweater a few years ago and publishing it was always on the top of the (admittedly, very long) list.  She was really excited at the opportunity to work with editor Lisa Shroyer to publish it with Interweave Press and Knitscene in her favorite yarn!

Here are a few more shots of Kate wearing the sweater:

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Perfect even in Summer in Philly!

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To find the LYS near you who carries Fibre Company yarns, look here.  (And if you are a retailer and want to be added to the list, shoot us an email!)

Enjoy!