Posts Tagged ‘patterns’

Collection 2: Cardigans Now Available for Purchase Online!

Wednesday, July 28th, 2010

We are happy to announce that our second collection of for sale patterns, a collection of 5 cardigans, is now available for purchase online as well as in hard copy form from your favorite Fibre Company stockists!

Emerson is a long cardigan designed by Kate Gagnon Osborn.  It features a large warm comfortable shawl collar with “woven” plaid fronts knit out of the sweater staple, Organik, in Atoll (MC) + Arctic Tundra (CC).

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Ravel It!

Hawthorn is a beautiful vintage inspired cardigan designed by Courtney Kelley that features puffed sleeves, integrated button bands and a garter stitch yoke knit out of the amazing Road to China Light in Aquamarine.

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Ravel It!

Olmsted is a charming cardigan knit in an all over lace pattern with raglan sleeves that features beautiful crocheted flowers that grace the neckline.  Designed by Jenny Ujiie and knit out of Canopy Worsted in Palm Bud with crocheted flowers in Canopy Fingering in Orchid, this sweater is a Kelbourne Woolens favorite!

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Ravel It!

Winthrop is a simple and classic open front yoked cardigan knit out of Road to China Worsted and designed by Kate Gagnon Osborn.  The sleeves are knit in the round and body knit flat and then the separate pieces are joined for a seamless yoke.  The cuffs and hem feature a structured slipped stitch pattern and the open fronts are finished with an attached I-cord edging.

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Perrin is a tailored cardigan designed by Courtney Kelley.  Knit in pieces out of the gorgeous Terra, it features 3/4 length set in sleeves, and A-line shape and tailored shoulders.  The wide seed stitch button band completes the overall look.

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Ravel It!

Can anyone guess the inspiration for the names this time?  We still wanted to be unique, but went a little more “mainstream” on this one!

We hope you enjoy this new addition to the Kelbourne Woolens line of patterns!

An Interview with: Cecily + Melissa!

Thursday, July 1st, 2010

We, like many of you, are super excited about the release (TODAY!) of Melissa LaBarreCecily Glowik MacDonald’s new book with Interweave Press, New England Knits! (For a complete list of the projects on Ravelry, click here).  We have a few special connections to the book — firstly, we adore Cecily + Melissa and have been waiting (not so patiently) for the release, secondly, Kate has a pretty strong affinity for New England (in fact, she is in the car driving there right now for her annual family vacation) and thirdly, there are two really stellar projects in the book featuring Fibre Company yarns, Kate’s Whale Watch Hat (blogged here) + the  Mystic Pullover by Melissa -  so we are doubly excited to be able to do an interview + contest with them celebrating the release!

Here goes!

Kelbourne Woolens: Let’s get back to basics.  When did you start knitting and what led you to start blogging?  Did you know each other prior to starting your blogs, or did you meet via the online knitting community - either Craftster, Ravelry or reading each other’s blogs?

Melissa LaBarre: I learned very basic knitting in the mid-90’s, while working in a nursing home. I picked it up again 6 years ago and never put it down again. Cecily and I met a long time ago through mutual friends, but we lived in different states. We reconnected once we found each other on Ravelry and realized we had a lot in common.

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Montpelier Jacket by Cecily Glowik MacDonald

Cecily Glowik MacDonald: I have a BFA with a concentration in painting and moved to NYC after college where I soon found it impossible to find space and enough ventilation to use oil paints in our tiny apartment. I had mentioned that I would like to learn how to knit to a non-knitter friend and she gave me a copy of the Stitch-n-Bitch book as a Christmas present.  I quickly became addicted. And, yes, thanks to Rav Melissa and I got to really get to know one another.  I feel like I am still very new to blogging and don’t quite have it all down yet.

KW: Did you find yourself designing your own original patterns from the start of your knitting experience, or did you evolve into a designer as time went by?  What led you to become designers if the process was an evolution from ‘casual’ knitting?

ML: I accidentally made patterns by just making things up for myself. I never thought that I’d be writing them down for others.

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Hampton Cardigan by Cecily Glowick MacDonald

CGM: I immediately began adjusting and adding to the patterns that I was knitting for myself or for gifts.  Once I found out that anyone could submit designs to most knitting magazines, I started submitting.  I think because I started so early after learning how to knit, I had no fear of rejection.  I just had a lot of hope that someday one of my designs would get published!

KW: Can you talk specifically about your book, New England Knits?  What was the inspiration behind the book — (besides how awesome New England is!), and why did you want to work together on your first book?  Did you find the process for the book was different than your process when knitting an individual garment for a magazine or other publication?

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Providence Hoodie by Melissa LaBarre.

ML: I think New England is kind of notorious for being both awesome and then unpredictable, weather-wise. Really, that crazy weather was major inspiration for the book, and why it’s loaded with cardigans, which are great pieces over several seasons here.

CGM: The wonderful and intense temperature changes through the seasons and even within the same day in New England makes for great inspiration for hand knits that are versatile.  I wanted to work with Melissa because she is one of the most wonderful, interesting, talented, kind and thoughtful women I know. Because I had a job in the knitting/yarn industry, I had experience needing to have a bunch of designs brought to completion at the same time. I just had to remember to balance my knitting time with my pattern writing/ grading time.

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Mystic Pullover by Melissa LaBarre (featuring Organik in Atoll + Aquatic Forest)

KW: What is your favorite item in the book and why?

ML: Oh boy, of Cecily’s patterns, my favorite is the Hampton Cardigan.  It’s in my house right now and i might not give it back! Of my own sweaters, I’d have to say the Providence Hoodie. I know I’ll wear it lots after the trunk shows.

CGM: Melissa’s Salem Hooded Jacket! Pockets, a hood, and the beautiful ribbon detail = love.  From my projects, it would have to be my silliest one, the Montpelier Jacket.

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Salem Hooded Jacket by Melissa LaBarre

KW: You asked 4 other designers, including Kate - lucky her! - to design an item for the book.  Why did you choose Kate, Kristen, Carrie + Cirilia to participate?

ML: Well, New England Knits started out as an idea for a multi-designer book, but evolved into our own book after talking with Interweave. We were still hooked on the idea of having some of our talented friends participate, so we got to keep 4 guest designers.

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Whale Watch Hat by Kate Gagnon Osborn. (you can read about this design here).

CGM: All 4 of these wonderful and talented ladies have New England connections and are incredible people with amazing design skills!

{Kate takes a moment to blush/pat self on back}

KW: You both have a very impressive portfolio of published designs.  All demonstrate a wide variety of items - sweaters, accessories, even some skirts.  Do you have a particular item you like designing best, or technique that you are most drawn to, or are you more “equal opportunity” designers?

ML: I enjoy knitting hats and sweaters the most, so that’s what I tend to stick to design-wise.

CGM: I definitely enjoy designing garments the most, cardigans and skirts are my favorite items. I think that I might actually enjoy grading patterns more than I would like to admit to myself.

KW: If time - or possible practicality - was not an issue, what would you most love to knit/design?

ML: If time was never an issue I’d design only fingering and sport-weight sweaters. unfortunately time is always an issue.

CGM: Oooo, more dresses!

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Chelsea Skirt by Cecily Glowik MacDonald

KW: As designers, you have published your patterns in a wide variety of formats, including Interweave and Vogue magazines, your own book, New England Knits, for yarn companies (including our own!), and also self-published patterns.  Did this just ‘happen’ as a natural result of your designing or did you make a conscious choice to not limit yourself to one variety of publishing media?

ML: What I most enjoy about designing is working with a variety of yarns and working with and meeting new people through each opportunity. I’ve learned a lot this way.

CGM: Yes, I am just so thrilled to now be able to design with any yarn that I want to.  I feel like each new yarn I get to knit with brings new ideas for designs.  There are so many amazing people in the knitting world that getting the chance to work with many people and many venues provides tons of new chances to learn more about designing.

KW: When designing, do you have a project in mind and then choose the yarn to go with it, or do you first swatch and then design a project specific to the yarn’s properties? Do you find that your methods change depending on the project or do you have one way you always work?

ML: For self-published designs, I’m often inspired by yarns (I work at Webs, it happens a lot), for other publishing routes, I have to submit the design without knowing what yarn I’ll use, so I often pull design ideas from the notebooks I have around the house.

CGM: My methods definitely change.  When submitting for magazines or books, you need to have the design ready to go and keep the details true to your accepted submission.  When designing for self -publishing, the idea that I begin with often transforms as I work on it.

KW: Is there anything else you would like to add?

ML: Your yarns are dreamy.

CGM: I second that!

KW: Thanks, guys!  We think you’re pretty dreamy, too.

But wait, there’s more! As a little added bonus, we wanted to give you, dear readers, an opportunity to win a copy of their fabulous book, New England Knits, AND the yarn to make Kate’s Whale Watch Hat (rav link here, blog post with more details here).  That is 4 (count ‘em, FOUR!) skeins of Canopy Fingering, one each of Orchid (white), Macaw (navy), Blue Quandons (bright blue) and Fern (mint green) AND a brand spankin’ new copy of New England Knits!  Woot!

How does such an amazing thing happen, you ask?  Just post a comment here answering this question:

What project from New England Knits is at the top of your Ravelry queue and why?

The contest is open from now until July 11th, 12 midnight EST.  Once all comments are in, we will randomly choose a winner!  (Please be sure to include contact info - an email will suffice - in your comment).

(Unless specified, all images © Interweave Knits and used with permission from the authors)

**comments are now closed!  We will announce the winner this evening, July 12th.  Thanks SO much to everyone who participated!**

Knitscene Fall 2010 - continued!

Sunday, June 27th, 2010

As we mentioned in yesterday’s post, besides the gorgeous sweater designed by Hannah Fettig in Organik, both Kate + Courtney have designs in the 5th Anniversary issue of Knitscene that feature the Fibre Company yarns.

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Oscilloscope Shawl.  Photograph by Joe Coca + © Knitscene

Kate’s design, the Oscilloscope Shawl, (rav link), named after the sawtooth waves made by Oscilloscopes, went through many permutations in its young life. Ultimately, she wanted to highlight the simple beauty of pairing diagonal increases and decreases on a garter stitch background for the body of the shawl and is very pleased with the final result!

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Oscilloscope Shawl.  Photograph by Joe Coca + © Knitscene

Constructed form end-to-end, you cast on a small number of stitches, then increase to the center, and decrease down again to the other end.  As you ‘turn’ for the center point, the direction of the garter lace changes as well.

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An attached i-cord on the top edge and diagonals provides a smooth and finished look.

Project Specifications:

Size 53″ wide and 23¼” deep at center point, after blocking

Yarn The Fibre Company Canopy Worsted (50% alpaca, 30% merino, 20% bamboo; 100 yd [91 m]/50 g): yerba mate (olive), 4 skeins

Gauge 14 sts and 22 rows = 4″ in garter st, after blocking

Tools

• Size 9 (5.5 mm): 24″ or longer circular (cir) needle
• Yarn needle
• Pins for blocking

Ravel It!

Next up, Courtney’s cardigan in Terra!

Knitscene Fall 2010!

Saturday, June 26th, 2010

As always, when we were presented with the opportunity to work with Lisa Shroyer for the Fall 2010 issue of Knitscene, we jumped at the chance!  The 5th anniversary issue is packed with a wide variety of projects covering a broad spectrum of techniques, styles and yarns.

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One of the unique and interesting aspects of Knitscene is that each issue features a designer in a mini collection of original patterns.  Past designers have recently included Connie Chang Chinchio, Melissa Wherle + Cathy Carron.  This issue features a good friend of the Fibre Co and Kelbourne Woolens, Hannah Fettig!  If you remember, our most recent interview was conducted with Hannah, and we are so excited to see her latest mini collection in Knitscene.

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Lapis Yoke by Hannah Fettig. Photograph by Joe Coca + © Knitscene

One of Hannah’s sweaters is knit out of a gorgeous shade of Organik, Seawater, a deep rich navy blue.  It begins with a yoke with ribbing that increases for the body and sleeves.  The body is a longer with a lean cut.  We believe it is a really beautiful example of Hannah’s clean and wearable designs paired with the soft hand and gorgeous hue of the Organik.

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Lapis Yoke by Hannah Fettig. Photograph by Joe Coca © Knitscene.

Ravel It!

But that’s not all!  We are delighted to each have a pattern in this issue — Courtney designed an incredibly wearable cardigan for the “Geek for Ribbing” story, and Kate designed a lace shawl for the “Fundamental Yarnover” story. Stay tuned for photographs and details on these two projects.

Fall Cardigan Collection Preview

Friday, June 4th, 2010

For your viewing pleasure, and in an effort to continue the cardigan theme from the last post, we thought we would share with you images from our second for sale pattern collection.  We’re shooting for an end of July ‘availability’ date and they will be wholesaled to shops + for sale on the site in the same manner as our first collection of Hats.

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This collection came about almost by accident.  As you very well know, we recently did a book with Interweave Press due out in the beginning of 2011.  Before we crazily knit the 20 garments and accessories for the book, we were both working on a few different sweaters for ourselves and future publication through Kelbourne.  Once the book knitting was finished, we re-opened the project bags that contained the long-forgotten sweaters and realized we subconsciously had a blue cardigan theme in the works.  The rest, as they say, is history!

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As with the hat collection, it was important to us to cover a broad range of styles and techniques in order best show off the different yarn qualities and garment possibilities while still sticking to our (hopefully unique) aesthetic.  This collection is (oh-so-creatively) named Collection 2: Cardigans and features lace, textured stitch patterns, Fair Isle and even a little bit of crochet.  Our goal was to make vintage inspired sweaters with small details that were not only interesting to knit, but also produced wearable garments.

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The photo shoot for this one was especially fun.  Kate’s mother in law, Lynn is a talented architect and photographer so we knew immediately when planning the shoot that we would love to have her do the photography for us.  Conveniently, one of the designers featured in this collection, Jenny Ujiie lived near Lynn as did another beautiful friend of Kate’s, Kate Magner Kuhn, and they were wrangled (umm…coerced slightly) into being our models.  (Sidenote, if you need an excellent web designer, Kate’s husband Noah is incredibly talented and easy to work with. He, sadly, didn’t do the Kelbourne site for us, but we wish he did!)

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The photo shoot was done in Brookline, Massachusetts right as the magnolias were in bloom.  We were so lucky to have perfect weather and beautiful locations at our disposal, and are very happy with how the shoot turned out!  For the names of the cardigans, we wanted to pay homage to the beautiful area where the photo shoot occurred, so each is named after a street (or in the case of Olmsted, a person) in Brookline.

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.   .   .   .   .   .   .   .   .   .   .   .   .   .   .   .   .   .   .   .   .   .   .   .   .   .   .   .   .   .   .

Full shots of the sweaters and specific details below!

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Perrin: An a-line cardigan featuring Terra in Yarrow.  Designed by Courtney with a structured look and soft feel in mind.  Three quarter bell sleeves, a wide neckline and tailored armholes complete the look.

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Emerson: A shawl collar cardigan featuring Organik in Atoll + Arctic Tundra.  Designed by Kate, with a slightly longer body length and inspired by plaid wovens.  Fair Isle fronts, set-in sleeves and waist shaping on the back complete the look.

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Olmsted: An all over lace patterned cardigan designed by Jenny Ujiie featuring Canopy Worsted in Palm Bud + Canopy fingering in Orchid.  Knit in pieces then joined for a seamless raglan yoke.  Quirky crocheted flowers complete the look.

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Hawthorn: A delicate garter yoke cardigan featuring Road to China Light in Aquamarine.  Designed with simple shaping and a playful puffed sleeve cuff.  Vintage buttons complete the look.

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Winthrop: An open cardigan featuring Road to China Worsted in Lapis knit in pieces then joined for a seamless yoke.  Slipped stitch details at the cuffs and yoke and an i-cord edge complete the look.

(All photograhps by + © Lynn Osborn.)

New Design! Vogue Early Fall 2010: #19

Friday, May 21st, 2010

The new Vogue Early Fall 2010 preview is up and we are excited to announce that Kate has a sweater she designed and knit out of Terra featured in “The Weekenders”, a collection of cardigans (her favorite!)  The sweater is designed with a longer body, deep cable rib cuffs and hem and seed stitch body and sleeves.  The button band and collar are worked in the same cable pattern and it is finished off with real leather woven buttons.

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Photo by Rose Callahan and © Vogue Knitting

We love the way Vogue styled the shoot — it has a very rustic country feel and we imagine the room smells like leather, pine and wood fire.  And, also, maybe a freshly brewed hot toddy.

We were able to take a few impromptu shots right before Kate mailed it off to Vogue so you can see some close-ups.  The fabric created from the slubby texture of the yarn combined with the textural seed stitch and cabled fabric is particularly nice.

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As you can see, this particular photo shoot was not styled.  At all. Unless you call the vacant lot next to the warehouse filled with vines, trash and graffiti and the t-shirt she wears 3 times a week a new “style”.

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Kate originally put on these wood buttons, but the were replaced with the leather.  This is a very good thing.  Real woven leather buttons are 1/2 of the reason why she loves cardigans so much.

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Still haven’t had enough?  Check out Vogue’s Fancy 360 feature, which shows great detail shots of the sweater on another model!

The magazine will hit newsstands on June 9th, so when it does, grab a copy, some Terra and knit one up  — you’ll be happy you did once summer is over and fall rolls around again.

Hat patterns now available online!

Monday, May 10th, 2010

We are pleased to announce that our first collection of ‘for sale’ patterns is now available as individual downloads online for your knitting enjoyment!

We have set up the patterns to be purchased as direct .pdf downloads using Payloadz.  From the main wholesale patterns page, just select the hat you wish to purchase, and click the “click to buy” button listed in the top right corner.

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This will bring you to your shopping cart where you can add more patterns directly, go back to the patterns page and browse from there or check out.  Patterns can be purchased either using a credit card or your paypal account. Once the purchase is complete, an email will be sent to your account with a link to download the .pdf.  (*We have tested — and re-tested — each .pdf and link, but please do not hesitate to let us know if you run into any complications with this process).

We hope you love this new way of accessing the Kelbourne Woolens/Fibre Company patterns!

* * * * * * * *

Some proactive answers to possible questions (but please do not hesitate to ask if you have any more!):

Why not Ravelry’s pattern purchasing option? Ravelry is a popular (for good reasons!) and easy to use method.  Because we are not one independent designer, but a design team made up of Courtney + Kate who also have the privilege of working with other talented designers, such as the the (insert never-ending slew of accolades here) and talented Melissa LaBarre, who designed the Krummholz hat and Fruktträdgård tam in this collection, there was no specific way (yet) to have the patterns listed for sale under our brand moniker (rav username) and still give the designers credit.  As a result, we went with Payloadz and very happy with them so far and hope you will be, too!

Why online?  Don’t you wholesale hard copies of patterns to shops? We spent a lot of time discussing the ins and outs, ups and downs, plusses and minuses (you get the drift) of offering the patterns for sale on the website (in contrast to just making them available in hard copy form from our fabulous stockists).  Ultimately, we decided to offer them for a few reasons.  Despite all of our hopes and dreams, not every yarn shop in the world carries our yarns and patterns, and as a result there are people out there who don’t have direct access to them.  In other words, we wanted a way for people to be able to purchase the patterns online if they did not have access to a LYS that carried them.  If you do have a LYS, though, that does carry our yarns and patterns, please DO buy from them directly.  Without the LYSs, we would not be here doing what we do, and the option to buy online would not exist at all.  (And, on a similar vein, if your LYS is a stockist but does not carry the patterns and you would like them to, please tell them you would buy directly from them if you did!)

Help! I’m confused and can’t download the pattern/don’t understand the directions/want to use the recommended yarn but don’t know where to find it! Don’t worry!  Send us an email with your question at info {at} kelbournewoolens {dot} com and we will be happy to help!  Please note we do check the email frequently, but you may find there is a brief delay on the evenings and weekends, but we will get back to you as soon as we are able!

A Name is a Name is a Name

Monday, March 29th, 2010

Do you ever dream about having the job where you get to name the colors of the t-shirts in the J.Crew catalog? Irish Moss, Sepia, Shadow….Well, in a smaller way, this is one of the things we do whenever we introduce new yarns, colors and patterns. Sometimes the name of a pattern is obvious, “Striped Cowl” for instance.  We will call the pattern “Striped Cowl” for months and months while it is being knit, written, blocked, photographed, etc. Then the big day comes when Kate sits down at her desk to format the pattern. The inevitable question looms before us, “So…what do you want to call this?” We quickly rack our brains, bounce imagery ideas, place names, feelings, check Google, click through pages of Wikipedia and double check Ravelry for repetition. In the end, we like to name patterns in groups thematically–as we do our yarns.  So, “Striped Cowl” became “Poplar Cowl”, named after a beautiful street in Center City Philadelphia.

You may not have noticed, but there’s a theme to all our yarn names. Canopy: Fruits of the Forest–all the colors are names of flora and fauna of the rain forest and jungle. Road to China: Silken Jewels–all the colors are precious gems, stones and metals, etc.  When we were brainstorming names for the series of our new wholesale hat patterns we were continually drawn to Scandinavian and Northern European influences.  A lot of knitting pulls from these traditions, which is fitting as the climate is right for lots of knitwear, but also because the bright colors, layers and folk traditions are so inspirational for accessories in particular.

The naming began with one of our fantastic test knitters, who while knitting Meritursas, thought the motif looked like an octopus.

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From that day forth, the hat was called “Octopus Hat”.  For reasons that may or may not be immediately obvious, we thought that name wasn’t quite perfect for the final pattern.  However, since we had kept turning our thoughts northwards to Scandinavia we wondered how one says ‘octopus’ in Finnish?  Answer?  Meritursas, pronounced meri-TUR-sus.  When Kate knit a second hat in a smaller gauge we went back to ‘octopus’, this time in Norwegian.

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En Blekksprut, pronounced en BLEKK-sproot. Two down, four to go!  Now, since we had found our hat naming theme, so to speak, it went pretty quickly.  Courtney’s purple cabled hat, which had been called ‘cute hat’ around the office became “Kiva Hattu,” pronounced KEE-vah HAHT-too, which is Finnish for, you guessed it, Cute Hat.

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Krummholz, pronounced KROOM-holts, with its twisting leaves lace pattern, is also the German word meaning twisted, crooked or bent wood.

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It’s lighter weight version is the Swedish word for orchard and the trickiest pronunciation of the lot. Fruktträdgård (or, literally, fruit tree garden), pronounced FROOKT-trahd-gourd (roughly).  The ä is like the ai in the word fair and the å is more of an o sound, like in yore. For the first syllable, frukkt, purse your lips forward and make an ew sound.  The t on the end is a hard sound, distinct from the t in the following syllable.

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Stratum is the odd-ball of the bunch.  Surprisingly in English, stratum (plural strata) is the geological term for distinct bands of rock and soil layers.  The garter ridges created a layered, textured look so we wanted a word which related to this visual effect.  It was such a perfect name, we didn’t even think twice about changing it.

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So, that’s it!  A little insight into the methods of our madness, and hopefully some help in the pronunciation and reasoning behind what, at first glance, are some pretty unique hat names.

Wholesale Patterns Available Now!

Monday, March 22nd, 2010

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En Blekksprut by Kate Gagnon Osborn

Whew!

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Frukttradgard by Melissa Labarre

We are very excited to announce that our first wholesale patterns, a collection of six individual hat patterns, are available now!  It took a little bit longer than we originally intended to get them ready for production, but we really wanted to make sure they were as perfect as they could possibly be.

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Meritursas by Kate Gagnon Osborn

The patterns will eventually be available in two formats, as hard copies from your local Fibre Company stockist available this week as well as in digital format, to come at a later date.

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Kiva Hattu by Courtney Kelley

For the hard copy patterns, we searched far and wide to find a printer able to produce them in large quantities while still doing as much as possible to reduce their carbon footprint.  Enter Print Net Inc, a company based in Pittsburgh, PA.

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Stratum by Melissa LaBarre

We were able to work closely with the company to get the patterns printed exactly to our specifications.  All of the patterns are printed on 100% post-consumer waste recycled paper with non-toxic low-impact vegetable-based inks.  We also were able to get 100% recycled biodegradable (cool, right?) plastic sheets to put the patterns in.

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Krummholz by Melissa LaBarre

Another great aspect of the pattern collection is the 3-ring binders available for purchase to store the patterns.  Again, with Print Net Inc, we designed a pattern binder that is 100% recycled and printed with the same vegetable inks.  A screen printed image on the spine makes them easy to spot in the store!

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As time goes by, we will be adding *Pattern Stockist* under the shops listed on on our stockist page that carry the Fibre Company yarns and patterns so you can easily find a LYS near you.  In the meantime, if you are interested in finding out where you can purchase the patterns, email us at info {at} kelbournewoolens {dot} com and we’d be happy to help you out! And, if your LYS does not yet carry the line of patterns (or yarns, for that matter!) tell them you want our products!

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We hope you love this new aspect of Kelbourne Woolens + The Fibre Company!

Spotlight on: Organik

Friday, December 18th, 2009

We continue our yarn spotlight this week with Organik, a single ply worsted weight yarn that we feel, sadly, does not get its fair share of accolades!

Organik began its life as a single ply 70% Organic New Zealand Wool, 15% Alpaca + 15% Silk and had a different “hand” than most other Fibre Company yarns (read: it was a beautiful yarn, but just wasn’t as soft as people were used to!) and Daphne and Iain quickly went to work to find a source for a wool that was organic and had a soft hand.  In early 2007, the “new” Organik with 70% Organic Merino, 15% Alpaca + 15% Silk and its corresponding colors were introduced to the market and we have never looked back!

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Organik has the least Alpaca content of all of Fibre Company yarns, and its mostly merino content and smooth construction makes it great for items that need great stitch definition and/or items that need a lot of structure and shape.  It, like all other Fibre Company yarns, is perfect for next to skin wear.  Think sweaters, cables, hats, mittens, Fair Isle…pretty much anything you can think of!  And, unlike many other single ply merino-based yarns on the market, the 30% alpaca + silk helps this single ply from pilling horribly.  (The silk works double duty by also adding some nice sheen as well!)

One pattern that shows off the versatility of Organik is Kate’s Herringbone Pullover. (Ravel it!).  The slipped stitch colorwork on the front of the sweater looks great in the sharp contrast of Loam (dark brown) and Arctic Tundra (white) and the stitch definition makes the herringbone pattern really pop.  The sleeves and back of the sweater are in stockinette stitch, which looks really great in the evenly spun yarn.

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Another project that really shows off the versatility of Organik is the 6th Street Scarf (Ravel it!) by Justine Moody of Angelfire Studios.  We always love when we receive calls from Justine, because it usually means she is super excited about one of our yarns, either a project she just knit or a new shipment that just came into her shop.  Her latest phone call was no exception — and we were especially delighted when her excitement over her most recent order of Organik came with a great scarf pattern she knit.   The 6th Street Scarf takes just 4 skeins of Organik, so it would also be a great last minute gift for the holidays!
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Believe it or not, this is the second to last post in our Yarn Spotlights!  Last but not least features Road to China Light, the newest member of the line, but a yarn that is fast becoming a fan favorite!